Welcome to the Archives of The Paul Rudolph Institute for Modern Architecture. The purpose of this online collection is to function as a tool for scholars, students, architects, preservationists, journalists and other interested parties. The archive consists of photographs, slides, articles and publications from Rudolph’s lifetime; physical drawings and models; personal photos and memorabilia; and contemporary photographs and articles.

Some of the materials are in the public domain, some are offered under Creative Commons, and some  are owned by others, including the Paul Rudolph Estate. Please speak with a representative of The Paul Rudolph Institute for Modern Architecture before using any drawings or photos in the Archives. In all cases, the researcher shall determine how to appropriately publish or otherwise distribute the materials found in this collection, while maintaining appropriate protection of the applicable intellectual property rights.

In his will, Paul Rudolph gave his Architectural Archives (including drawings, plans, renderings, blueprints, models and other materials prepared in connection with his professional practice of architecture) to the Library of Congress Trust Fund following his death in 1997. A Stipulation of Settlement, signed on June 6, 2001 between the Paul Rudolph Estate and the Library of Congress Trust Fund, resulted in the transfer of those items to the Library of Congress among the Architectural Archives, that the Library of Congress determined suitable for its collections.  The intellectual property rights of items transferred to the Library of Congress are in the public domain. The usage of the Paul M. Rudolph Archive at the Library of Congress and any intellectual property rights are governed by the Library of Congress Rights and Permissions.

However, the Library of Congress has not received the entirety of the Paul Rudolph architectural works, and therefore ownership and intellectual property rights of any materials that were not selected by the Library of Congress may not be in the public domain and may belong to the Paul Rudolph Estate.

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LOCATION
Address: 202 Ridgelawn Drive
City: Athens
State: Alabama
Zip Code: 35613
Nation: United States

 

STATUS
Type: Residence
Status: Built

TECHNICAL DATA
Date(s): 1961-1964
Site Area: 57,120 ft² (5,306.6 m²)
Floor Area: 4,654 ft² (432.3 m²)
Height:
Floors (Above Ground): 2
Building Cost:

PROFESSIONAL TEAM
Client: John Warner Wallace and Frances Garth Wallace
Architect: Paul Rudolph
Associate Architect: 
Landscape:
Structural: John Altieri
MEP: Herman J. Spiegel
QS/PM:

SUPPLIERS
Contractor:
Subcontractor(s):

Wallace Residence

  • Paul Rudolph moved with his parents and three sisters - Mildred, Marie and Ruth - to Athens, Alabama in 1936. He went to Athens High School and during this time met Frances Garth Wallace.

  • The project scope is to design a residence for John Warner Wallace (1924-2009) and Frances Garth Wallace (1924-2015).

  • This Southern Greek revival structure has an all white exterior and 96 x 22 colonnade of 32 brick columns.

  • The residence is featured in the February 26, 1965 issue of Life magazine.

  • John Warner Wallace passes away on January 10, 2009.

  • Frances Garth Wallace passes away on March 05, 2015.

  • On June 26, 2015 the property is sold for $498,800 to Elizabeth Beasley.

I don’t believe any figure of the ancient world ever walked down a gallery more inspiring than our back porch. We feel close to all the great moments of the past.
— Frances Wallace in Life magazine, February 26, 1965
The house has the efficiency of a trailer combined with the grandeur of the Acropolis.
— Frances Wallace in Life magazine, February 26, 1965
The house is located just right for the sunset. And we never like to miss one.
— John Wallace in Life magazine, February 26, 1965
When we have company the maid knows that people facing the view take twice as long to finish dinner.
— Frances Wallace in Life magazine, February 26, 1965
My first impressions of architecture were of the Greek Revival Architecture of the south. This attempted restatement has overlays of early twentieth century European architecture and can be read on many different levels. Each ‘room’ is posed in space, each staffered in plan and section, so that an unfolding interior space emerges. The firectional quality of space is emphasized since the walls opposite each other are either solid or open. Thus the varying quality of appropriate space is the chief organizing element, not structure.
— Paul Rudolph in Moholy-Nagy, Sibyl, and Gerhard Schwab. The Architecture of Paul Rudolph. New York: Praeger, 1970. P. 72
Years ago I designed a house in Alabama based on Greek revival architecture of the South. I was brought up in that area, I knew it well, and my first memories of architecture were the Greek Revival buildings of the area and the sharecroppers’ cottages, both of which intrigued me no end. Both seemed to have a complete validity - in other words, vernacular and so-called high architecture. This house in Alabama has double-story-high porches on four sides, over-scaled columns not based on structural need but on character - yet it’s a modern house. It doesn’t ever deal with Greek columns, capitals and bases, cornices, nor the use of symbols, but the image of the south is very clear. The design comes from the climate, the environment, how people live, what was suitable. It gets very hot in summer; therefore, the enclosure is put in man-made shade, which lowers the energy consumption of the air-conditioning system. It has many symmetrical parts, but the circulation and spatial organization is asymmetrical. If you know the location of this house it is clear that it really comes from the Greek Revival architecture of the South, but it certainly doesn’t have any Greek Revival symbols, although its image is similar because it tries to solve some of the same problems.
— Paul Rudolph in Davern, Jeanne M. "A Conversation with Paul Rudolph." Architectural Record 170 (March 1982): 90-97.
This is probably the closest I’ve ever come to post-modernism. It occurred to me at the time that if you paid too much attention to the old, the result became merely picturesque.
— Paul Rudolph in Steelcase Design Parternship. Paul Rudolph: Dreams + Details. 1989.

DRAWINGS - Design Drawings / Renderings

DRAWINGS - Construction Drawings

DRAWINGS - Shop Drawings

PHOTOS - Project Model

PHOTOS - During Construction

PHOTOS - Completed Project

PHOTOS - Current Conditions

LINKS FOR MORE INFORMATION

RELATED DOWNLOADS

PROJECT BIBLIOGRAPHY
Rudolph, Paul Marvin. “Paul Rudolph / A Note to the Architects of Japan.” Kokusai Kentiku, April, Volume 32, p.17-70, (1965)

Dunnavant, B. Jr. (1968, April 28). Candlelight Pilgrimage To Feature Nine Athens Homes. Decatur Daily, p. 31

Rudolph, P. and Moholy-Nagy, S. (1970). The Architecture of Paul Rudolph. New York: Praeger, pp. 72-75.

Davern, Jeanne M. "A Conversation with Paul Rudolph." Architectural Record 170 (March 1982): 90-97.

Axford, F. (1999, April 18). Spring Pilgrimage Offers Varied Sites. Athens News Courier, p. 34

“Wallace Home Often Mistaken Wright Design.” Athens News Courier, November 26, 2003. p. 54

Gibbs, A. (2016, December 24). Beasley Family An Athens Name. Athens News Courier, p. 8