Sep
30
to Mar 16

Materialized Space: The Architecture of Paul Rudolph: September 30, 2024 - March 16, 2025

Paul Rudolph (American, 1918–1997). Perspective section drawing of the Art and Architecture Building, Yale University, 1958. School of Architecture, Yale University, Memorabilia (RU 925). Manuscripts and Archives, Yale University Library.

The Met presents the first-ever major museum exhibition to examine the career of the influential 20th-century architect Paul Rudolph, a second-generation Modernist, who came to prominence during the 1950s and 1960s alongside peers such as Eero Saarinen and I.M. Pei. Materialized Space: The Architecture of Paul Rudolph showcases the full breadth of Rudolph’s important contributions to architecture—from his early experimental houses in Florida to his civic commissions ren­dered in concrete, and from his utopian visions for urban megastructures and mixed-use sky­scrapers to his extraordinary immersive New York interiors. The exhibition gives visitors the opportunity to experience the evolution and diversity of Rudolph’s legacy and better understand how his work continues to inspire ideas of urban renewal and redevelopment in cities across the world. The presentation features a diverse range of over 80 artifacts and in a variety of scales, from small objects that he collected throughout his life to a mix of material generated from his office, including drawings, models, furniture, material samples, and photographs.

The exhibition is made possible by The Modern Circle.

Additional support is provided by The Daniel and Estrellita Brodsky Foundation, Ann M. Spruill and Daniel H. Cantwell, and the Graham Foundation for Advanced Studies in the Fine Arts.

The exhibition was organized by The Metropolitan Museum of Art in collaboration with the Library of Congress’s Paul Marvin Rudolph Archive.

The catalogue is made possible by the Samuel I. Newhouse Foundation, Inc.

For Hours, Admission & Directions please go here.

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Mar
20
6:30 PM18:30

An Evening at Two Modernist Churches: March 20, 2025

Paul Rudolph (American, 1918–1997). Perspective section drawing of the Art and Architecture Building, Yale University, 1958. School of Architecture, Yale University, Memorabilia (RU 925). Manuscripts and Archives, Yale University Library.

In celebration of this year's annual theme: Places of Worship, join Docomomo US for an exclusive evening reception at two significant Modernist churches in Boston's Back Bay. Special guests include Barbara T. Martin, Chair of the Standing Committee of the First Church Boston; Kevin Block, Director of Special Initiatives for Partners for Sacred Places; and Kelvin Dickinson, President & CEO of the Paul Rudolph Institute for Modern Architecture.

Doors open at 6:30pm at the First Church of Boston, which dates to 1868 and was designed by William Robert Ware and Henry Van Brunt; after a fire in 1968, Paul Rudolph was commissioned to rebuild the structure. Enjoy drinks and light bites with colleagues in the Auditorium and Narthex, then get the chance to visit the Pietro Belluschi-designed First Lutheran Church of Boston (1955-57), just across the street.

This is the only event of the conference featuring access to these sacred spaces. Proceeds support Docomomo US programming, advocacy and educational efforts.

$195/person

For more information please go here.

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May
1
to Oct 27

Drawing After Modernism: May 1 - October 27, 2024

Paul Rudolph (1918–1997), Callahan House, Perspective, 1965–1986, Birmingham, Alabama, graphite and colored pencil on paper. MIT Museum 2018.011.063. Gift of Danielle and Martin E. Zimmerman '59. © The Estate of Paul Rudolph, The Paul Rudolph Institute for Modern Architecture

In the 1970s and 1980s, many architects sought to overturn the traditions of modern architecture, finding it dull, dogmatic, and formulaic. Drawing soon became a primary medium of expression for their new architectural ideas.

Believing that the status quo was no longer acceptable, postmodern architects played with color, ornament, and history in ways that modernism would never have allowed.

On view in this alluring spectrum of graphics is an intimate record of creative expression, blurring the lines of art and practice and establishing drawing as more than just a necessary step in the architectural design process.

Image: Stanley Tigerman, The Anti-Cruelty Society Addition, Chicago, Illinois, 1981.

All drawings on display are gifts of Danielle and Martin E. Zimmerman ’59

Located in the Ronald A. (1954) and Carol S. Kurtz Photography Gallery

For Hours, Admission & Directions please go here.

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