It's not easy being "Green" — If you tear-down a Landmark

Meet Martine Rothblatt, CEO of United Therapeutics. She owns Rudolph’s Kerr Residence in Florida & should be a fan. After promising to preserve it, her company tore down the only Rudolph in NC – the Burroughs Wellcome building in RTP. Now she’s going to lecture on Green Construction…

Burroughs Wellcome was recognized as landmark-worthy in a HABS report by the National Park Service. We fought, along with other organizations, to save the building & thousands of you signed a petition to stop the demolition. But what did Martine do? She sent her PR team to ask us to take down parts of our website that referred to the petition and demolition…

She cares about ‘green construction, including the world’s largest zero carbon building & laboratories, office buildings & residences.’ Zero carbon is not ‘green’ when you send 546,335 cubic feet of construction & 3,100 tons of steel to the dump to make way for your new project…

#Greenbuild invited her to give a keynote at tomorrow’s Global Health & Wellness Summit on Sept 9, 2021. According to https://informaconnect.com/greenbuild/summits/ the summit will ‘discuss how spaces are being redefined amid the ongoing climate crisis’ but does Martine’s solution make the problem worse in order to ‘fix’ it? The greenest building is the one that already exists…

PLEASE SHARE & IF YOU’RE GOING TO ATTEND ask WHY she tore down a Paul Rudolph landmark. Ask if the millions of $$ a year she makes as CEO of the company is the GREEN they mean in ‘Green Construction.’ More about the building is on our website (which Martine’s PR team doesn’t want you to see) at www.bit.ly/rudolphdemo

#PaulRudolph #greenbuild #greenbuilding #greenconstruction #RTP #architecture #brutalism #climate #wellbeing #UnitedTherapeutics @WELLcertified @USGBC @rickfedrizzi @docomomous @WorldGBC @ArchitectsJrnal @AIANational @archpaper @ArchRecord @usmodernist @preservationaction @bwfund @presnc @preservationdurham @c20society @brutalism_appreciation_society @sosbrutalism @ncarchitecture @savingplaces @modarchitecture

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IMAGE CREDITS

NOTES:

The Paul Rudolph Heritage Foundation gratefully thanks all the individuals and organizations whose images are used in this non-profit scholarly and educational project.

The credits are shown when known to us, and are to the best of our knowledge, but the origin and connected rights of many images (especially vintage photos and other vintage materials) are often difficult determine. In all cases the materials are used in-good faith, and in fair use, in our non-profit, scholarly, and educational efforts. If any use, credits, or rights need to be amended or changed, please let us know.

When/If Wikimedia Commons links are provided, they are linked to the information page for that particular image. Information about the rights for the use of each of those images, as well as technical information on the images, can be found on those individual pages.

CREDITS:

Photograph of Martine Rothblatt: Andre Chung, via Wikimedia Commons; Photograph of the Burroughs Wellcome building, in the process of demolition: detail of a photograph by news photojournalist Robert Willett, as they appeared in a January 12, 2021 on-line article in the Raleigh, NC based newspaper The News & Observer; Logo of the Global Health & Wellness Summit: from the web page devoted to the event.

ELIMINATING AN ICON

The Destruction of one of Rudolph's greatest Buildings: Burroughs Wellcome

FROM AN ICON OF DESIGN —

— TO DEMOLITION DEBRIS.

Paul Rudolph, over his half-century career in which he designed more than 320 projects, created buildings and interiors of landmark distinction—and none were more forward looking, more focused on the unity of form and function, and more architectonically/spatially exciting than his BURROUGHS WELLCOME headquarters and research center.

After a long fight to preserve one of his most well-known and well-loved designs, we now see that the owners have chosen destruction. An article in the North Carolina-based The News & Observer reports:

“[Dismantling]. . . has been underway internally for several months. But now the demolition has reached the point where workers are pulling the building apart and hauling away pieces by the truckload.”

Burroughs Wellcome’s main—and upliftingly inspiring—entry lobby—a powerful spatial experience that is now lost.

In previous posts we’ve reported on several facets of the Burroughs Wellcome building complex—showing its significance in multiple examples, including:

• the Nobel Prize-winning research which was done there

• it being the site of historic activist protest, which had the positive effect of leading to greater availability of life-saving treatment

• it being acknowledged, by historians and by critics and the people who worked there, as an architectural work of the greatest significance (and a wonderful environment in which to work)

• as a building where the most careful attention was applied to its design and details

• as a key early success—and the most architecturally prominent work—in the Research Triangle Park development

• as an example of the practical power of building flexibility-expandability into the building’s design and geometry

• and we’ve shown the building’s “star quality”—via the film and television productions which used the building as a site for inspiration—an indicator of its iconic design

“This building is an exciting and ingenious combination of forms [in which] one discovers new and different qualities of forms and spaces . . . a splendid climate for scientific scholarship and for the exchange of ideas.” — Fred A. Coe Jr., President of Burroughs Wellcome

“Don't mourn, organize!”

That’s an old saying among activists—encouraging them, even in defeat, to keep on fighting. The destruction of Burroughs Wellcome is a deep wound to this country’s cultural heritage—and that makes us even more committed to keep urging/advising/campaigning for the preservation (and proper care) of PAUL RUDOLPH’s architectural legacy.

Our commitment to preserving Rudolph’s work started early—

When Paul Rudolph's Micheels Residence was threatened, the challenge to its demolition went all the way to court. The owner, pushed by the promise of a quick sale to a new owner who wished to tear it down, claimed that Rudolph didn't really do the design, but was just drawing “what I told him to.” The judge—not knowing who Rudolph was—accepted the claim, and declared that if anyone wanted to save the building, they should simply “buy it.”

Stung by the lack of support and recognition of Rudolph’s legacy, Kelvin Dickinson (later President of the Paul Rudolph Heritage Foundation) took all of the images he was in the process of digitizing from Rudolph’s personal archives and put them up on Flickr. He then created the public group: “The Art & Architecture of Paul Rudolph” as way to crowdsource images of other Rudolph projects—ones that might come down before he could visit them, or before they were seen and appreciated enough by the public in time to save them.

The Boston Government Service Center—a Paul Rudolph project of architectural and urbanistic significance—which we are currently campaigning to preserve.

The idea, begun in 2007, was powerful: his 3,000 images got 3.2 million views—and the group’s collection doubled to over 6,000 images. [These were later moved to the PRHF archives on our website, where they are paired with additional and current information: www.paulrudolphheritagefoundation.org/timeline]

And today we are still at it, adding updates and more information every day.

Sadly, the Burroughs Wellcome demolition is an update we wish we didn't have to make to our records. After so much writing and pouring over drawings of the building, it feels like losing a family member. But there are other Rudolph designs—right now—that are threatened, like the Boston Government Service Center (where, like the Micheels Residence, people are diminishing Rudolph’s role in its creation to excuse proposed demolition and/or redevelopment).

The lesson of every fight is this: If a building (especially one of Rudolph’s!) speaks to you or has meaning for you, then:

• take a photo of it

• talk about it

• write about it

• draw a sketch of it

• take your friends, students or family to see, walk around, and thru it

• and join with others—like the Paul Rudolph Heritage Foundation—to make sure that the building is well-cared for and saved as part of our larger cultural heritage

And if you see something going on at a Rudolph site—some sign that the building is threatened or not maintained—please let us know (we’re easy to contact). We learned about the threat to Burroughs Wellcome from a fan who lives near it and sent us photos out of concern. 

Your voice and vigilance matters

Maybe not enough today, but tomorrow it could save the next, beloved work of great architecture.

Paul Rudolph’s

IMAGE CREDITS

Perspective-section drawing, by Paul Rudolph, through the main body of the Burroughs Wellcome building: © The Estate of Paul Rudolph, The Paul Rudolph Heritage Foundation; Photographs of the Burroughs Wellcome building, in the process of demolition: photography by news photojournalist Robert Willett, as they appeared in a January 12, 2021 on-line article in the Raleigh, NC based newspaper The News & Observer; Lobby of Burroughs Wellcome building: Image courtesy of the Massachusetts Institute of Technology, photograph by G. E. Kidder Smith; Boston Government Service Center: photo by Gunnar Klack, via Wikimedia Commons; Burroughs Wellcome building with flag: courtesy of the Wellcome Collection

Celebrating Modernism in North Carolina (the home of Burroughs Wellcome)

Victoria Ballard Bell’s new book, TRIANGLE MODERN ARCHITECTURE. Her well-illustrated and deeply-researched history covers the movement to bring Modern architecture to the “Triangle” region of North Carolina. The book shows Modernism’s flourishing—and the generations of architects who have practiced in that area.

ARCHITECTURAL MODERNISM iN NORTH CAROLINA— INCREASING (AND WELL-DESERVED) ATTENTION

The Carolinas have always attracted significant architectural scholarship: from Plantations of the Carolina Low Country, Samuel Galliard Stoney’s study of the great antebellum mansions and their estates -to- Charleston Architecture 1670-1860 by Gene Waddell—and, of course, the books by that comprehensive historian of the buildings of the Old South: Mills Lane. All are magisterial studies, but they focus on the architecture of earlier eras. It is only in recent years that the richness and range of Modern architecture in North Carolina has received the attention which it deserves.

Pioneering the appreciation of Modern architecture in the state was the organization founded in 2007 by George Smart. Originally named Triangle Modernist Houses, it was renamed North Carolina Modernist (also known as NCMODERNIST) in 2013. It has grown to be active on many fronts, including: tours, preservation, archiving, education, providing technical and legal assistance, and encouraging scholarship—in all ways moving to open people’s eyes to the excellence and depth of Modern architecture in North Carolina. In 2016 they created USModernist, an award-winning educational organization for the documentation, preservation, and promotion of residential Modernist architecture. With their archive, podcasts, tours, and an unparalleled on-line magazine library (making available nearly 3,000,000 pages of architecture journals,) USModernist is America's largest open digital archive of Modernist houses and their architects—an accessible and treasured resource for all researchers.

Up to now, there’s been no book-length study which focuses, in-depth, on the beginnings and flourishing of Modern architecture in state. Such a book, Triangle Modern Architecture, has recently been published—and we report on (and welcome) it here. But first: a little background on what’s meant by “Triangle.”

THE NORTH CAROLNA “TRIANGLE”

You’ll hear references to the Triangle—indeed, the word was part of the original name of NCMODERNIST. The Tringle term has two primary uses:

• A region within the state of North Carolina: approximately defined by a triangle with three cities at its points: Durham, Chapel Hill, and Raleigh.

• Research Triangle Park: the celebrated research development—founded in 1959, and still flourishing today—which is the site of many of the country’s most dynamically innovative companies and research centers. It is located within the above, geographically larger triangle.

There’s a strong relationship between these two senses of the term, as the "Triangle" name was cemented in the public consciousness in the 1950’s with the creation of Research Triangle Park, home to numerous tech companies and enterprises. Although the name is now used to refer to the geographic region, the “Triangle" originally referred to the universities—whose research facilities, and the educated workforce they provide, has historically served as a major attraction for businesses to locate in the region.

The North Carolina “Triangle”—a triangular region roughly defined by Durham, Chapel Hill, and Raleigh.

LEFT: Alex Sayf Cummings fascinating history of Research Triangle Park: the US’s largest research development—located within North Carolina’s “Triangle” region. Read our article about the book here. ABOVE: Paul Rudolph’s Burroughs Wellcome building (shown circled), within North Carolina’s Research Triangle Park. Only a portion of Research Triangle Park is shown here, but even this partial view captures some of Burroughs Wellcome’s distinguished neighbors: IBM, Cree, Toshiba, RTI, the North Carolina Biotechnology Center, United Therapeutics, and the National Humanities Center.

THE “TRIANGLE” AS A HOME FOR MODERNISM

All the above is prologue to celebrating the publication of a new book, TRIANGLE MODERN ARCHITCTURE by Victoria Ballard Bell. A licensed architect and writer who has lived in North Carolina for decades, she is the author (with Patrick Rand) of two other architecture books: Materials for Design and Materials for Design 2.

Bell recounts:

“When we first moved here. . . .I heard snippets about architects and Kamphoefner. I wondered: ‘Why has someone not written a book?’ Nobody’s told the story.”

And tells it she has! Bell is referring to Henry Kamphoefner, and architect who—primarily in role of a long-time, dynamic educator—was key to the seeding and growth of Modern architecture in the Triangle region of North Carolina. He, and architects he brought to the School (now College) of Design at North Carolina State University, and other architects who came to settle and/or work in the region, created a body of buildings which are diverse and elegant, caring in their detailing and contextual in their character.

Architects of international stature (Frank Lloyd Wright, Matthew Nowicki, Buckminster Fuller, Paul Rudolph) are, in varying degrees, part of the story. But where the book excels is how it reveals, though depthful research and careful telling, the overall story of the migration into the culture of what must have originally seemed like radically modern design (when contrasted with the existing design traditions of the region.)

Bell shows how lesser-known designers brought forth a wealth of work that can now be proudly considered part of the the state’s (and country’s) cultural heritage.

Several of the excellent works of that are included in TRIANGLE MODERN ARCHITECTURE:

TOP-TO-BOTTOM: Architect Eduardo Catalano’s own residence, in Raleigh, as featured on the cover of the August, 1955 issue of House + Home magazine; Architect George Matsumoto’s own house, in Raleigh, was on the cover of 1957’s Record Houses (the annual issue in which Architectural Record published what they considered to be each year’s most significant residential designs); Architect G. Milton Small’s own architectural office building in Raleigh, which was included in a Architectural Record’s 1969 article on the design of architect’s offices; Paul Rudolph’s perspective rendering of Burroughs Wellcome, situated within Research Triangle Park.

These architects, who practiced in the Triangle region, should be better-known and studied, but they have not had the attention they deserve. A few, like Catalano and Harris, did achieve recognition in during their career, but have fallen out of the “repertoire” of recent architectural historians’ thinking. Others never had more than a very local renown. All deserve to be commemorated, and Triangle Modern Architecture brings salutary attention to the work of this group, among them—

• G. Milton Small

• George Masumoto

• Eduardo Catalano

• Harwell Hamilton Harris

• Arthur Cogswell Jr.

• Jon Andre Condoret

—and several others.

The latter half of the book profiles contemporary firms who are carrying on in this tradition. There is certainly some diversity among them—via their affinity for varying palettes of materials, uses of color, and their choices about the proportion of glazed to solid areas, as well as the different building types (residential/institutional/commercial) with which they’re each engaged. But they all are clearly working within the formal vocabulary established by the first generation of Modern architects who worked in North Carolina’s Triangle region. Among the architects in this section is Frank Harmon, who wrote the book’s preface—and that’s book-ended by George Smart, who writes this volume’s moving epilogue.

TRIANGLE MODERN ARCHITECTURE has a profusion of illustrations, both in black & white and color. Unlike many architecture books, this one is not afraid of including drawings, ranging from Rudolph’s perspective drawing of Burroughs Wellcome -to- a colorful pastel by Nowicki -to- Macon Strother Smith’s study-sketch for a building corner detail. Photos are abundant, including lively snapshots of Frank Lloyd Wright visiting the area, architectural models, and mid-century Modern interiors.

Marlon Blackwell, FAIA, recipient of the 2020 AIA Gold Medal, has said of the book:

“Triangle Modern Architecture provides us a timely insight into the rich history and bold future of modern architecture in North Carolina, reminding us that the modernist project here is alive and well and most vital in its interpretations and adaptations to local places and typologies.”

We congratulate Victoria Ballard Bell, and her publisher, for bringing out TRIANGLE MODERN ARCHITECTURE, her new (and much needed) book on the origin and growth of Modern architecture in that region.

BURROUGHS WELLCOME —THE TRIANGLE’S MOST IMPORTANT MODERN BUILDING— IS THREATENED

Above and Below: the Burroughs Wellcome building, designed by Paul Rudolph, and located within North Carolina’s Triangle Research Park

YOU CAN HELP SAVE IT!

The Burroughs Wellcome building is threated with imminent demolition.

Its loss would be a disaster—a titanic waste of our nation’s cultural heritage. Remember:

When a great building is destroyed, there are no second chances.

NOW— THERE ARE TWO THINGS YOU CAN DO:

• Sign the petition to save Burroughs Wellcome— Please sign it HERE.

• We can keep you up-to-date with bulletins about the latest developments—

  To get them, please join our foundation’s mailing list: you’ll get all the updates, (as well as other Rudolphian news)—you can sign-up at the bottom of this page.

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IMAGE CREDITS

North Carolina Triangle map: U.S. Geological Survey; Aerial view of a part of Research Triangle Park: courtesy of Google Maps; House + Home (Catalano House), Record Houses (Matsumoto House), and Architectural Record (Small office building): courtesy of US Modernist Library; Burroughs Wellcome perspective rendering by Paul Rudolph: © The Estate of Paul Rudolph, The Paul Rudolph Heritage Foundation; Photograph of Burroughs Wellcome building (black and white): photograph courtesy of Columbia University, Avery Architectural and Fine Arts Library, Joseph W. Molitor Photograph Collection ; Photograph of Burroughs Wellcome building (color): photograph courtesy of © PJ McDonnell, The Paul Rudolph Heritage Foundation Archives