Birthday

From: Paul Rudolph — To: Philip Johnson

A detail from a snapshot of Philip Johnson (at left) and Paul Rudolph (at right) at a Yale architecture school jury in 1960. Photo: Stanley Tigerman

A detail from a snapshot of Philip Johnson (at left) and Paul Rudolph (at right) at a Yale architecture school jury in 1960. Photo: Stanley Tigerman

DISCOVERING TREASURES

One of the pleasures of archival research is the possibility of coming across surprising items—a bit like walking across a beach and tripping over a treasure. When we were preparing for last year’s Paul Rudolph centenary exhibits, we did a deep dive into our archives. This post is about one such item we came across (and we’ll be sharing more in future posts.)

What secrets lie beyond that door? The front facade of Philip Johnson’s home, at 242 East 52nd Street in Manhattan. Originally designed by Johnson—in his most Miesian phase—as a guest house for the Rockefeller family, it was later donated by them to…

What secrets lie beyond that door? The front facade of Philip Johnson’s home, at 242 East 52nd Street in Manhattan. Originally designed by Johnson—in his most Miesian phase—as a guest house for the Rockefeller family, it was later donated by them to the Museum of Modern Art (for the same use). It is now a NYC landmark. Among the later residents was Johnson himself, who made it his NYC home in the 1970’s. Photograph courtesy of galinsky.com

FRENEMIES

We’re often asked about the relationship, personal and professional, between Rudolph and Philip Johnson. Though Johnson was a dozen years older than Rudolph, and their origins and experiences growing up were very different (especially their economic backgrounds), they came to know each other rather well after World War II. Both had been in Harvard’s school of architecture (where Rudolph was a favorite of the program’s director, Walter Gropius)—and both became rising stars in the post-war/post-Bauhaus generation of American architects who were advocates for Modernism. When Paul Rudolph became Chair of Yale’s School of Architecture—he was in office there from 1958-1965—Johnson was invited by Rudolph to be a teacher or to join-in at end-of-term juries.

Philip Johnson was a mercurial personality, whose behavior could range from waspish and Machiavellian to loyal and generous. He was famous for his wit. Emily Sherman was a close friend of Rudolph, and spent time around both architects—and she says that Johnson could have had a career as a stand-up comedian. A facet of that wit was teasing—and Rudolph was long-term, friendly target.

We’ve discovered that Johnson designed a house for the Tuttle family, one that was not built—but Rudolph had the same client decades later, and completed one his most unusual houses for them. We wonder whether Johnson or Rudolph knew about each other’s work for the family—and, if Johnson did know of Rudolph’s success with the Tuttles, did it rankle Johnson? Even so, they were friends, and neighbors too: Johnson’s NYC home on Manhattan’s East 52nd Street (shown above) was close to Rudolph’s on Beekman Place—and they also sometimes dined together at Billy’s, a bar-restaurant about half-way in-between. Also, Rudolph was an occasional guest at Johnson’s Connecticut home, The Glass House.

HAPPY BIRTHDAY, BUT…

Johnson was born in 1906, a dozen years before Rudolph. But in very real way, those dozen years made a profound difference: Johnson was of another generation—one that was born into the world that World War One would sweep away. Rudolph was born well after, in an America that had become a world power, and he grows up during the 1920’s and 1930’s. So they are, in so many ways, very different.

Yet they did develop a long-term friendship, and, as evidenced the item below. In 1991 Rudolph was invited to Johnson’s 85th birthday. As you can see, Rudolph, himself well into his 70’s, was still busy with projects—maybe, on the night of Johnson’s party, a bit too busy….

A birthday note—via fax—from Paul Rudolph to Philip Johnson. Since Johnson was born in 1906, and the there’s a reference in the note to this being his 85th, birthday, it must have faxed over in 1991. From the archives of the Paul Rudolph Heritage Fo…

A birthday note—via fax—from Paul Rudolph to Philip Johnson. Since Johnson was born in 1906, and the there’s a reference in the note to this being his 85th, birthday, it must have faxed over in 1991. From the archives of the Paul Rudolph Heritage Foundation, © The Paul Rudolph estate, Paul Rudolph Heritage Foundation.

HONORING A MASTER: Frank Lloyd Wright—celebrating the birth of an architectural Titan

Frank Lloyd Wright in 1954, photographed when he was late 80’s—but still going strong and working on new designs.Photo by a staff photographer for the New York World-Telegram and Sun newspaper, courtesy of the Prints and Photographs division of the …

Frank Lloyd Wright in 1954, photographed when he was late 80’s—but still going strong and working on new designs.

Photo by a staff photographer for the New York World-Telegram and Sun newspaper, courtesy of the Prints and Photographs division of the Library of Congress.

A FORCE OF NATURE

Frank Lloyd Wright endlessly spoke about (and celebrated) Nature—particularly nature’s importance as the teacher for designers. Wright—also a prolific writer—is an abundant source of quotes about this, as in this example:

“Nature is my manifestation of God. I go to nature every day for inspiration in the day’s work. Follow in building the principles which nature has used in its domain.”

But in the world of architecture, Wright himself was a “force of nature”: for nearly three-quarters of a century he was innovating and exploring all aspects of architecture and urbanism, and his activities extended to every aspect of design: interiors, landscaping, furniture, lighting, textiles, the decorative arts, sculpture, graphics—and he even designed some futuristic vehicles for land, water, and air! His concerns extended to larger issues of ecology and lifestyle.

Especially relevant for today is that, of all the great Modern architects, he was the first “Green” one—both in integrating low-energy-use principles into his designs, as well as in the long-term value of his buildings. A Wright building, well-maintained, could last 100’s of years (or longer), a most responsible use of “embodied energy”—both in beauty and resources!

A TITANIC EFFECT

Wright influenced generations of architects during his long life—and continues to do so. Here at the Paul Rudolph Heritage Foundation we’re especially aware of his impact: a key moment in Rudolph’s development was his visit to Wright’s Rosenbaum House, in Florence, Alabama.

Here is Rudolph recalling it:

I was twelve or fourteen when I first saw a Frank Lloyd Wright house. That was in Florence, Alabama. I forget how I knew about this house, but I did, so I got my parents to drive over. I lived in Athens, Alabama. My father was head of a school there, a rural school, a Methodist girls’ school. I have probably told you about the piano hinges and cantilevered roof, no? The cantilevered roof, I suppose, was about eighteen feet. I had never seen anything like that. Well! I was completely delighted with the whole idea that this would hold Itself up, and I didn’t understand it at all. There it was. I always thought the car looked a little funny, but I loved the roof. The interior of the house was in rather typical Usonian style. I had never seen detailing like that, the idea of storage units, of which there were many of various kinds, being such an important element in the house. I specifically the piano hinges, which I thought the most beautiful things I had ever seen. I still do think they are beautiful, and idea of the clerestory lighting. quite open above, and the way the light goes onto the ceiling and comes back down. I remember disliking and not understanding the narrowness of the passageways. That seemed terribly constricted to me. I also remember the built-in furniture and how completely satisfying it was. especially the couches. There are very few architects whose work I would go out of my way to see, but I would always go to see anything, even the worst, of Wright’s.

Young Paul Rudolph, at Frank Lloyd Wright’s Rosenbaum house in Florence, Alabama—a visit that had lasting impact on his views (and practice) of architecture.Photo: Paul Rudolph Heritage Foundation

Young Paul Rudolph, at Frank Lloyd Wright’s Rosenbaum house in Florence, Alabama—a visit that had lasting impact on his views (and practice) of architecture.

Photo: Paul Rudolph Heritage Foundation

Rudolph went on to say of Wright:

You must understand that all my life I have been interested in architecture, but the puzzle for me, in many ways, is the relationship of Wright to the International Stylists. Now perhaps for you that seems beside the point, or very, very strange. It has a little bit to do with when you come into this world, and that is when I came to grow. Wright's interest in structure was, to a degree. a psychological one. I am fascinated by his ability to juxtapose the very heavy, which is probably most clear, almost blatant, too blatant, in Taliesin West with the very, very light tent roof. It isn’t that his structures are so clear, because they are not. It is that he bent the structure to form an appropriate space. He would make piers three times the size that they needed to be in order to make it seem really secure. Or he would make the eaveline two or three inches deep by all sorts of shenanigans, from a structural point. My God, what did to achieve that, because he thought it ought to light. I would agree with him in a moment, but the International stylists would not. Well. they did and they didn’t. It was the bad and ones who did not. They didn’t know how, didn’t know why.

[Quotes are from: “Paul Rudolph—Excerpts from a Conversation” which appeared in Perspecta 22, 1986]

CELEBRATING WRIGHT

Over his long life (and after!) Wright has been celebrated in many ways, including the creation of 3 dozen house museums and endless exhibits, books (including some novels in which he’s the featured character), and TV documentaries—and there’s a line of Wrightian scarves, lamps, posters, hardware, journals… The US Postal Service even put Wright and his work on postage stamps 4 times—probably the record for any American architect.

Two of the four stamps, devoted to Wright and his work, created by the United States Postal Service.

Two of the four stamps, devoted to Wright and his work, created by the United States Postal Service.

To celebrate his 152nd birthday, you might want to seek-out a “Wright site” to visit. Since Wright built all over the US (and internationally), chances are that there’s one to visit that’s not far from you. The Frank Lloyd Wright Trust has put together a list of publicly visitable sites in the US: https://flwright.org/researchexplore/publicwrightsites

The Frank Lloyd Wright Foundation offers a list of “5 Ways to Celebrate Frank Lloyd Wright’s Birthday”: https://franklloydwright.org/5-ways-to-celebrate-frank-lloyd-wrights-birthday/

And for those who really want to “take him in,” this link will take you directly to the recipe for his favorite birthday cake! https://franklloydwright.org/frank-lloyd-wrights-birthday-cake-recipe/